{"id":6324,"date":"2019-12-25T21:11:14","date_gmt":"2019-12-25T20:11:14","guid":{"rendered":"https:\/\/www.vskk.cz\/cz\/?page_id=6324"},"modified":"2023-12-02T17:27:47","modified_gmt":"2023-12-02T16:27:47","slug":"tvurci-cinnost","status":"publish","type":"page","link":"https:\/\/www.vskk.cz\/cz\/o-skole\/urad\/veda-a-vyzkum\/tvurci-cinnost\/","title":{"rendered":"Tv\u016fr\u010d\u00ed \u010dinnost"},"content":{"rendered":"<h3>Vedouc\u00ed<\/h3>\n<p>Tereza Stehl\u00edkov\u00e1, Ph.D.<br \/>\nstehlikova.tereza@vskk.cz<\/p>\n<h3>Mezin\u00e1rodn\u00ed projekty\/International projects<\/h3>\n<h3><strong style=\"color: #333333; font-family: Lora, sans-serif; font-size: 15px;\">7\/2023-9\/2023 Visegrad Fund<\/strong><span style=\"color: #333333; font-family: Lora, sans-serif; font-size: 15px; font-weight: 400;\"> \u2013 spolupr\u00e1ce student\u016f na mezin\u00e1rodn\u00edm projektu 10 univerzit (\u010cR, Slovensko, Ma\u010farsko, Polsko), kter\u00fd po\u0159\u00e1dala italsk\u00e1 partnersk\u00e1 \u0161kola Academy of Fine Arts and Design Poliarte.\u00a0<\/span><\/h3>\n<p><iframe loading=\"lazy\" title=\"Italian Design Experience 2023 full video - Visegrad Fund | Poliarte Accademia di Design of Ancona\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/CyECX0JRT2g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-16324 size-medium\" src=\"https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.32-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.32-300x300.png 300w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.32-150x150.png 150w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.32-398x398.png 398w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.32-200x200.png 200w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.32-405x405.png 405w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.32-270x270.png 270w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.32-210x210.png 210w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.32-90x90.png 90w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.32-476x476.png 476w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.32.png 497w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>D\u00edky Italian Design Experience jsem m\u011bla mo\u017enost poznat a za\u017e\u00edt italsk\u00fd p\u0159\u00edstup k&nbsp;designu, kter\u00fd je v\u00fdrazn\u011b zalo\u017een\u00fd na emoc\u00edch a vnit\u0159n\u00edm c\u00edt\u011bn\u00ed. Nahl\u00e9dla jsem do z\u00e1kulis\u00ed \u00fasp\u011b\u0161n\u00fdch firem, nap\u0159\u00edklad Tod\u2019s, a mohla tak b\u00fdt sou\u010d\u00e1st\u00ed velice zaj\u00edmav\u00fdch aktivit a projekt\u016f. Zaujala m\u011b i samotn\u00e1 online v\u00fduka, zejm\u00e9na Historie italsk\u00e9ho designu, Ergonomie a design a Design metodologie. D\u011bkuji v\u0161em vyu\u010duj\u00edc\u00edm za jejich vst\u0159\u00edcnost a trp\u011blivost a takt\u00e9\u017e za celkovou organizaci, kter\u00e1 byla perfektn\u00ed a naprosto bezchybn\u00e1 \u2013 p\u0159edev\u0161\u00edm d\u00edky na\u0161emu pr\u016fvodci Diegovi, kter\u00fd byl s&nbsp;n\u00e1mi studenty v&nbsp;neust\u00e1l\u00e9m kontaktu. Kdybych si mohla st\u00e1\u017e o dal\u0161\u00edch 14&nbsp;dn\u00ed prodlou\u017eit, \u010di se znovu z\u00fa\u010dastnit, rozhodn\u011b bych nev\u00e1hala. Na tuto zku\u0161enost budu vzpom\u00ednat opravdu dlouho.<\/p>\n<p><em><strong>S\u00e1ra Julie Frajtov\u00e1<\/strong>, studentka 3.&nbsp;ro\u010dn\u00edku Bc. studia<\/em><\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-16325 size-medium\" src=\"https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56-300x300.png 300w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56-150x150.png 150w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56-400x398.png 400w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56-663x660.png 663w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56-200x200.png 200w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56-407x405.png 407w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56-270x270.png 270w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56-211x210.png 211w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56-90x90.png 90w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56-478x476.png 478w, https:\/\/www.vskk.cz\/cz\/wp-content\/uploads\/sites\/2\/2023\/10\/Snimek-obrazovky-2023-10-18-v-10.52.56.png 865w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\nJsem velmi r\u00e1d, \u017ee jsem se Italian Design Experience mohl z\u00fa\u010dastnit. I p\u0159esto, \u017ee projekt se obsahov\u011b li\u0161il od m\u00e9 specializace na V\u0160KK, byla to skv\u011bl\u00e1 zku\u0161enost. Jako vrchol cel\u00e9ho projektu vn\u00edm\u00e1m prohl\u00eddky v\u00fdznamn\u00fdch firem, kde jsme nav\u0161t\u00edvili jejich v\u00fdrobn\u00ed prostory. Byl pro opravdov\u00fd z\u00e1\u017eitek, na kter\u00fd jen tak nezapomenu \u2013 zejm\u00e9na n\u00e1v\u0161t\u011bvu v\u00fdrobn\u00ed linky interi\u00e9r\u016f pro Ferrari ve spole\u010dnosti Poltrona Frau \u010di prohl\u00eddku ve spole\u010dnosti Gruppo Rainbow, kter\u00e1 se specializuje na animace a stoj\u00ed nap\u0159\u00edklad za po\u0159adem Winx. V&nbsp;dne\u0161n\u00ed dob\u011b spolupracuje s&nbsp;nejv\u011bt\u0161\u00edmi filmov\u00fdmi studii a nap\u0159\u00edklad s&nbsp;Netflix a HBO. V\u0161echny tyto prohl\u00eddky m\u011bly v\u00fdbornou organizaci a byly nesm\u00edrn\u011b poutav\u00e9. Vyzdvihnout mus\u00edm tak\u00e9 celkovou organizaci projektu \u2013 od po\u010d\u00e1te\u010dn\u00ed komunikace a\u017e po organizaci v&nbsp;italsk\u00e9 Ancon\u011b. Zaj\u00edmav\u00fd byl tak\u00e9 vhled do pracovn\u00edch postup\u016f a n\u00e1vyk\u016f italsk\u00fdch kantor\u016f, kte\u0159\u00ed n\u00e1s po dobu prezen\u010dn\u00ed \u010d\u00e1sti vedli.<\/p>\n<p><em><strong>Filip Kovalsk\u00fd<\/strong>, student 2.&nbsp;ro\u010dn\u00edku Bc. studia<\/em><\/p>\n<p>&nbsp;<\/p>\n<h3><strong style=\"color: #333333; font-family: Lora, sans-serif; font-size: 15px;\">7\/2023-9\/2023 Visegrad Fund<\/strong><span style=\"color: #333333; font-family: Lora, sans-serif; font-size: 15px; font-weight: 400;\"> &#8211; cooperation of students in the international program Italian design experience &#8211; A Learning Journey in contemporary design that will involte 10 universities (Czech Republic, Slovakia, Hungary, Poland), organized by the Italian partner school Poliarte &#8211; Academy of Fine Arts and Design.\u00a0<\/span><\/h3>\n<div>\n<p><iframe loading=\"lazy\" title=\"Italian Design Experience 2023 opening - Visegrad Fund | Poliarte\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/-z7vj0DZHUA?start=8&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<h3>Marketing<\/h3>\n<p><strong>2022\/23<\/strong><\/p>\n<ul>\n<li><strong>Smluvn\u00ed v\u00fdzkum s&nbsp;\u010cMS, z. s.<\/strong> V&nbsp;\u0159\u00edjnu 2022 uzav\u0159ela V\u0160KK dvouletou smlouvu o smluvn\u00edm v\u00fdzkumu s&nbsp;\u010ceskou marketingovou spole\u010dnost\u00ed, z.s. s&nbsp;c\u00edlem zhodnotit a analyzovat korpor\u00e1tn\u00ed identitu zna\u010dky \u010cesk\u00e1 republika, jej\u00ed pou\u017e\u00edv\u00e1n\u00ed v&nbsp;zahrani\u010dn\u00ed komunikaci \u2013 Czechia a (the) Czech Republic. V\u00fdzkum bude kombinovat kvalitativn\u00ed i kvantitativn\u00ed metody sb\u011bru dat, p\u0159i\u010dem\u017e v\u00fdsledkem v\u00fdzkumn\u00e9ho \u0161et\u0159en\u00ed bude kompara\u010dn\u00ed psychos\u00e9matick\u00e1 mapa zna\u010dky. \u0158e\u0161itelsk\u00fd t\u00fdm je tvo\u0159en jak pedagogy katedry marketingov\u00fdch komunikac\u00ed, tak i magistersk\u00fdmi studenty dan\u00e9ho oboru.<\/li>\n<li><strong>01\/2023-04\/2023 Kreativn\u00ed \u010cesko.<\/strong> V\u0160KK pro Ministerstvo kultury v&nbsp;r\u00e1mci projektu zam\u011b\u0159en\u00e9ho na obnovu port\u00e1lu kreativnicesko.cz provedla hloubkovou marketingovou re\u0161er\u0161i, jej\u00ed\u017e v\u00fdsledkem je mimo jin\u00e9 i nov\u00e1 kreativn\u00ed vizu\u00e1ln\u00ed identita.<\/li>\n<li><strong>08\/2022-06\/2023 N\u00e1borov\u00e1 kampa\u0148 pro spole\u010dnost Seven Energy.<\/strong> Projekt spo\u010d\u00edval v&nbsp;kompletn\u00edm pl\u00e1nov\u00e1n\u00ed a realizaci n\u00e1borov\u00fdch aktivit pro spole\u010dnost Seven Energy s&nbsp;c\u00edlem z\u00edskat nov\u00e9 uchaze\u010de. Byla vyvinuta a implementov\u00e1na komplexn\u00ed n\u00e1borov\u00e1 strategie zam\u011b\u0159en\u00e1 na HR marketing, v\u010detn\u011b produkce n\u00e1borov\u00fdch vide\u00ed s&nbsp;kompletn\u00edm produk\u010dn\u00ed \u010dinnost\u00ed. V\u0161echny marketingov\u00e9 aktivity p\u0159inesly pozitivn\u00ed v\u00fdsledky v&nbsp;podob\u011b zv\u00fd\u0161en\u00e9ho z\u00e1jmu a po\u010dtu uchaze\u010d\u016f o zam\u011bstn\u00e1n\u00ed.<\/li>\n<\/ul>\n<p><strong>2021\/2022<\/strong><\/p>\n<ul>\n<li><strong>10\/2021-6\/2022 Galerie po\u0161tovn\u00edho muzea.<\/strong> Vytvo\u0159en\u00ed marketingov\u00e9 strategie a konceptu s&nbsp;vyu\u017eit\u00edm prostor \u010cesk\u00e9 po\u0161ty. Projekt prob\u011bhl v&nbsp;r\u00e1mci Intermedi\u00e1ln\u00ed tvorby s&nbsp;realizac\u00ed v\u00edt\u011bzn\u00e9ho konceptu ,,Galerie vyvracej\u00edc\u00ed p\u0159edsudky&#8220;. N\u00e1sledn\u011b byl dopln\u011bn o kompletn\u00ed vizu\u00e1ln\u00ed identitu a ve\u0161ker\u00e9 offline i online materi\u00e1ly k&nbsp;prvn\u00ed v\u00fdstav\u011b, kter\u00e1 prob\u011bhla od ledna do dubna 2023.<\/li>\n<li><strong>01\/2022\u201306\/2022 Vizu\u00e1ln\u00ed identita a komunika\u010dn\u00ed pl\u00e1n \u2013 M\u011bsto \u0160pindler\u016fv ml\u00fdn.<\/strong> Na z\u00e1klad\u011b marketingov\u00e9ho v\u00fdzkumu byla navr\u017eena nov\u00e1 vizu\u00e1ln\u00ed identita a komunika\u010dn\u00ed pl\u00e1n pro m\u011bsto \u0160pindler\u016fv ml\u00fdn. Bylo vytvo\u0159eno nov\u00e9 logo a komunika\u010dn\u00ed strategie, kter\u00e1 reflektuje r\u016fznorodost aktivit ve m\u011bst\u011b, napom\u00e1h\u00e1 srozumiteln\u00e9 komunikaci s&nbsp;obyvateli i turisty a zvy\u0161uje pov\u011bdom\u00ed o \u010dinnostech m\u011bsta v&nbsp;r\u016fzn\u00fdch ro\u010dn\u00edch obdob\u00edch.<\/li>\n<li><strong>10\/2021\u201303\/2022 GS1 kampa\u0148.<\/strong> Projekt byl zam\u011b\u0159en na p\u0159\u00edpravu marketingov\u00e9 kampan\u011b GS1 s&nbsp;c\u00edlem oslovit mlad\u0161\u00ed generaci a upozornit na jejich hlavn\u00ed produkt \u2013 \u010d\u00e1rov\u00e9 k\u00f3dy. C\u00edlem kampan\u011b bylo zv\u00fd\u0161it pov\u011bdom\u00ed o GS1, jako jedin\u00e9 mezin\u00e1rodn\u011b standardizovan\u00e1 cest\u011b pro \u0159e\u0161en\u00ed \u010d\u00e1rov\u00fdch k\u00f3d\u016f pro produkty. Projekt se \u0159e\u0161il v&nbsp;r\u00e1mci intermedi\u00e1ln\u00ed tvorby a v\u00fdsledkem byly 3 fin\u00e1ln\u00ed n\u00e1vrhy kompletn\u00ed marketingov\u00e9 kampan\u011b, v\u010detn\u011b n\u00e1stroj\u016f marketingov\u00e9ho mixu.<\/li>\n<\/ul>\n<p><strong>2019-2021<\/strong><\/p>\n<p>Vysok\u00e1 \u0161kola kreativn\u00ed komunikace (Katedra marketingov\u00fdch komunikac\u00ed) uspo\u0159\u00e1dala 25.\u00a0dubna 2019 Mezin\u00e1rodn\u00ed v\u011bdeckou konferenci CREATIVE STRATEGY \/ STRATEGY<br \/>\nOF CREATIVITY \u2013 Trends in creative marketing communications za \u00fa\u010dasti 52 teoretik\u016f, akademik\u016f a praktik\u016f z&nbsp;komunika\u010dn\u00edch a v\u00fdzkumn\u00fdch agentur v&nbsp;\u010cR a SR. Publikovala 28 v\u011bdeck\u00fdch p\u0159\u00edsp\u011bvk\u016f ve sborn\u00edk\u016f, kter\u00fd byl zasl\u00e1n k&nbsp;indexaci ve Web of Science. Vlastn\u00ed odborn\u00fd diskurs se odehr\u00e1val ve dvou profilov\u00fdch sekc\u00edch:<\/p>\n<p>1. Strategie kreativity \u2013 kreativita jako n\u00e1stroj formov\u00e1n\u00ed sv\u011bta marketingov\u00e9 komunikace<br \/>\n2. Kreativn\u00ed strategie \u2013 uplatn\u011bn\u00ed kreativity v&nbsp;ka\u017edodenn\u00ed praxi marketingov\u00e9 komunikace<\/p>\n<p>Konference uk\u00e1zala d\u016fle\u017eitost propojen\u00ed akademick\u00e9ho a praktick\u00e9ho marketingov\u00e9ho komunika\u010dn\u00edho sv\u011bta zejm\u00e9na z&nbsp;hlediska rychl\u00e9 aplikace nov\u00fdch poznatk\u016f z&nbsp;praxe do v\u00fduky, z&nbsp;hlediska nach\u00e1zen\u00ed nov\u00fdch publika\u010dn\u00edch mo\u017enost\u00ed a tipov\u00e1n\u00ed vhodn\u00fdch osobnost\u00ed z&nbsp;praxe pro vysoko\u0161kolskou v\u00fduku. Pom\u011brn\u011b \u0161iroce koncipovan\u00fd v\u011bdecko-v\u00fdzkumn\u00fd profil konference se uk\u00e1zal velmi nosn\u00fd, vz\u00e1jemn\u011b obohacuj\u00edc\u00ed. V\u0160KK tak v&nbsp;roce 2019 zalo\u017eila novou v\u011bdeckou tradici, kter\u00e1 pokra\u010duje v&nbsp;roce n\u00e1sleduj\u00edc\u00edm \u2013 9.&nbsp;dubna 2020 konferenc\u00ed s&nbsp;n\u00e1zvem KREATIVN\u00cd STRATEGIE \u2013 STRATEGIE KREATIVITY \/ kosmick\u00e9 v\u00edry v&nbsp;medi\u00e1ln\u00edch galaxi\u00edch, je\u017e si klade za c\u00edl analyzovat zm\u011bny ve v\u0161ech form\u00e1ch komunika\u010dn\u00edch prost\u0159edk\u016f, kter\u00e9 se odehr\u00e1ly v&nbsp;\u010cesku po n\u00e1stupu internetu. Konference nov\u011b zav\u00e1d\u00ed doktorandskou a\u00a0studentskou sekci.<\/p>\n<p>V\u0160KK vydala k&nbsp;t\u00e9to konferenci <strong>sborn\u00edk, kter\u00fd byl indexov\u00e1n ve Web of Science<\/strong>. Sborn\u00edk obsahuje 28 v\u011bdeck\u00fdch p\u0159\u00edsp\u011bvk\u016f, z&nbsp;toho 8 bylo vytvo\u0159eno na\u0161imi pedagogy. Kol. autor\u016f. CREATIVE STRATEGY \/ STRATEGY OF CREATIVITY: TRENDS IN CREATIVE MARKETING COMMUNICATION. Praha: V\u0160KK, 2019.<\/p>\n<p>Dal\u0161\u00ed ro\u010dn\u00edk konference se z&nbsp;d\u016fvod\u016f pandemie viru Covid-19 neuskute\u010dnil, av\u0161ak z&nbsp;p\u0159\u00edsp\u011bvk\u016f vy\u0161el sborn\u00edk <strong>Kreativn\u00ed strategie\/Strategie kreativity: Zm\u011bny ve sv\u011bt\u011b marketingov\u00fdch <\/strong><strong>komunikac\u00ed po n\u00e1stupu internetu<\/strong> (Praha: V\u0160KK, 2021. ISBN: 978-80908049-2-0).<\/p>\n<h3>Vizu\u00e1ln\u00ed tvorba<\/h3>\n<p style=\"font-weight: 400;\"><strong>2021\/2022<\/strong><\/p>\n<ul style=\"font-weight: 400;\">\n<li><strong>Realizace v\u00fdstavy VLADIM\u00cdR KOZL\u00cdK A JEHO \u017d\u00c1CI<\/strong> (13.&nbsp;4.&nbsp;2022 \u2013 24.&nbsp;4.&nbsp;2022, galerie Nov\u00e1 s\u00ed\u0148, Praha)<\/li>\n<li><strong>Po\u0159\u00e1d\u00e1n\u00ed sympozia Ecstatic Truth \u2013 Ecstatic Truth<\/strong> je ka\u017edoro\u010dn\u00ed sympozium, kter\u00e9 zkoum\u00e1 probl\u00e9my vypl\u00fdvaj\u00edc\u00ed z&nbsp;rozhran\u00ed mezi animac\u00ed (ve v\u0161ech jej\u00edch roz\u0161\u00ed\u0159en\u00fdch form\u00e1ch) a dokumentem (konceptualizovan\u00fdch velmi \u0161iroce jako non-fikce) se specifick\u00fdm z\u00e1jmem o probl\u00e9my, kter\u00e9 nastoluj\u00ed experiment\u00e1ln\u00ed a praktick\u00e9 perspektivy. V&nbsp;leto\u0161n\u00edm roce jej po\u0159\u00e1dala V\u0160KK, a to v&nbsp;term\u00ednu 8.&nbsp;4.&nbsp;2022.<\/li>\n<li><strong>Making Sense Lab: SYNAESTHESIA<\/strong> \u2013 workshop po\u0159\u00e1dan\u00fd V\u0160KK na t\u00e9ma synest\u00e9zie (6.&nbsp;12.&nbsp;2021)<\/li>\n<li><strong>Making Sense Lab: SENSESCAPES: Touch &amp; Vision<\/strong> \u2013 workshop po\u0159\u00e1dan\u00fd V\u0160KK na t\u00e9ma hmatu a zraku (14.&nbsp;2.&nbsp;2022)<\/li>\n<li><strong>Making Sense Lab: Smell Lab<\/strong> \u2013 workshop po\u0159\u00e1dan\u00fd V\u0160KK na t\u00e9ma \u010dichu (14.&nbsp;3.&nbsp;2022)<\/li>\n<li><strong>Making Sense Lab: Echo Drawing I: Resistance<\/strong> \u2013 workshop po\u0159\u00e1dan\u00fd V\u0160KK na t\u00e9ma vztahu kresby a sluchu<\/li>\n<\/ul>\n<p style=\"font-weight: 400;\"><strong>2020\/2021<\/strong><\/p>\n<ul style=\"font-weight: 400;\">\n<li>Um\u00edst\u011bn\u00ed v&nbsp;N\u00e1rodn\u00ed cen\u011b za studentsk\u00fd design<\/li>\n<li>\u00da\u010dast na AdCamp<\/li>\n<li>\u00da\u010dast na Posterheroes:\u00a0<a href=\"http:\/\/www.posterheroes.org\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.posterheroes.org&amp;source=gmail&amp;ust=1648629042727000&amp;usg=AOvVaw0BikGuRuNrgDFlel5BXBU5\">www.posterheroes.org<\/a><\/li>\n<li>\u00da\u010dast na Zl\u00edn Design Week<\/li>\n<li>\u00da\u010dast na N\u00e1rodn\u00ed cen\u011b za studentsk\u00fd design, s&nbsp;t\u00edm spojen\u00e1 i v\u00fdstava jejich prac\u00ed<\/li>\n<li>\u00da\u010dast na sout\u011b\u017ei o plak\u00e1t k&nbsp;v\u00fdro\u010d\u00ed V4: 30th Anniversary of Visegrad Group, viz:\u00a0<a href=\"https:\/\/www.visegradfund.org\/news\/design-poster-dedicated-30th-anniversary-establishment-visegrad-group\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.visegradfund.org\/news\/design-poster-dedicated-30th-anniversary-establishment-visegrad-group\/&amp;source=gmail&amp;ust=1648629042727000&amp;usg=AOvVaw0gExQBPMPMk4VkhV-S0Qgn\">visegradfund.org<\/a><\/li>\n<li>Absolvuj\u00edc\u00ed studenti byli sou\u010d\u00e1st\u00ed Graduation Project 2021,\u00a0<a href=\"http:\/\/www.graduationprojects.eu\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.graduationprojects.eu\/&amp;source=gmail&amp;ust=1648629042727000&amp;usg=AOvVaw0LW_XgX3u59Igv-b5VgDaH\">www.graduationprojects.eu\/<\/a><\/li>\n<li>Online p\u0159edn\u00e1\u0161ky a extern\u00ed host\u00e9: Veronika R\u00fat Fullerov\u00e1: Vizu\u00e1ln\u00ed smog &amp; Branding, Ond\u0159ej Z\u00e1mi\u0161: City identity, Yellowshapes: Packaging + workshop, Studio Dipozitiv: Online kampa\u0148 + workshop, Filip Kraus &amp; Jan Charv\u00e1t: P\u00edsmo + workshop<\/li>\n<li>Studenti 1.&nbsp;ro\u010dn\u00edku Animace vytvo\u0159ili grafick\u00e9 zn\u011blky pro akce a po\u0159ady V\u0160KK a tak\u00e9 jednu nebo 2 verze PFka<\/li>\n<li>bakal\u00e1\u0159sk\u00e1 pr\u00e1ce obhajovan\u00e1 ve virtu\u00e1ln\u00ed realit\u011b \u2013 bakal\u00e1\u0159sk\u00e9 filmy Sebastiana Dohnala<\/li>\n<li>granty: IGA \u2013 Intern\u00ed granty UJEP, Pozice mlad\u00fd v\u011bdeck\u00fd pracovn\u00edk \u201epostdok\u201c, 2020\u20132021 (M. Bene\u0161); Mal\u00fd a\u00a0velk\u00fd edi\u010dn\u00ed grant na rok 2020, Edi\u010dn\u00ed komise FUD UJEP, navrhovatel a autor publika\u010dn\u00edho projektu: Fotografie nov\u00e9ho mil\u00e9nia \u2013 od autorsk\u00e9ho p\u0159\u00edstupu k&nbsp;technick\u00fdm mutac\u00edm, 2020 (M. Bene\u0161)<\/li>\n<li>v\u011bdeck\u00e1 konference: Bene\u0161, M. Digital Manipulation in the Applied Photographic Work Through the Author&#8217;s&nbsp;Self Expression In: Creative strategy \/ Strategy of Creativity \u2013 Trends in creative marketing communication. Praha: V\u0160KK, 2019, ISBN 978-80-88260-38-7, ISBN 978-80-907526-5-8, str. 136-142, 254 s. Sborn\u00edk v\u011bdeck\u00e9 konference (v&nbsp;roce 2020 indexov\u00e1n v&nbsp;mezin\u00e1rodn\u00ed v\u011bdeck\u00e9 datab\u00e1zi Web of Science)<\/li>\n<li>World Photographic Cup, Kapit\u00e1n n\u00e1rodn\u00edho t\u00fdmu celosv\u011btov\u00e9 sout\u011b\u017ee profesion\u00e1ln\u00ed fotografie WPC, po\u0159\u00e1dan\u00e9 pod z\u00e1\u0161titou Federace evropsk\u00fdch profesion\u00e1ln\u00edch fotograf\u016f (FEP), Professional Photographers of America (PPA), United Asian Professional Photography (UAPP) a Australian Institute of Professional Photography (AIPP), spoluorganiz\u00e1tor APF, 2020 (M. Bene\u0161)<\/li>\n<li>&#8222;Najdi projekt OPD\u201c, OPD (Opera\u010dn\u00ed program Doprava), p\u0159edseda komise fotografick\u00e9 sout\u011b\u017ee, Odbor fond\u016f EU, Ministerstvo dopravy, 2020 (M. Bene\u0161)<\/li>\n<li>N\u00e1rodn\u00ed iniciativa Czech Industry Challenge (CICH), Promoliga, odborn\u00fd porotce, Pr\u016fmyslov\u00e1 um\u011bleck\u00e1 fotografie, prosinec 2020 (J. Pohribn\u00fd, M. Bene\u0161)-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Sout\u011b\u017e CEWE Photo Award 2021, odborn\u00fd porotce sv\u011btov\u00e9 fotografick\u00e9 sout\u011b\u017ee, 2020 (M. Bene\u0161)<br \/>\n&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Osobnost \u010desk\u00e9 fotografie a Osobnost \u010desk\u00e9 fotografie za dlouhodob\u00fd p\u0159\u00ednos fotografii, \u010dlen odborn\u00e9 poroty, APF \u010cR, 2021 (M. Bene\u0161)<\/li>\n<li>Projekt 101, Asociace profesion\u00e1ln\u00edch fotograf\u016f \u010cR, \u0159\u00edjen 2020, Galerie 1, Praha (\u00fa\u010dast pedagog\u016f a student\u016f V\u0160KK)<\/li>\n<li>Projekt 101, Asociace profesion\u00e1ln\u00edch fotograf\u016f \u010cR, kv\u011bten\u2013\u010derven 2021, Muzeum fotografie a obrazov\u00fdch m\u00e9di\u00ed, Jind\u0159ich\u016fv Hradec (\u00fa\u010dast pedagog\u016f a student\u016f V\u0160KK)<\/li>\n<li>Pokoje 2020, prosinec, tvorba student\u016f ateli\u00e9ru FA<\/li>\n<li>Kalend\u00e1\u0159 &#8222;12\u201c, v\u00fdb\u011br prac\u00ed pedagog\u016f, prosinec 2020<\/li>\n<li>Asociace profesion\u00e1ln\u00edch fotograf\u016f \u010cR, Spr\u00e1vn\u00ed rada, veden\u00ed a \u0159\u00edzen\u00ed profesn\u00edho spolku (J. Pohribn\u00fd, M. Bene\u0161)<\/li>\n<li>Federation of European Professional Photographers (FEP), \u010dlen, koordinace mezin\u00e1rodn\u00edch profesn\u00edch aktivit (spolkov\u00e9ho \u017eivota, certifikac\u00ed, profesn\u00edch sout\u011b\u017e\u00ed) (J. Pohribn\u00fd, M. Bene\u0161)<\/li>\n<li>Kalend\u00e1\u0159 &#8222;12\u201c, Kalend\u00e1\u0159 roku 2021, 1.&nbsp;m\u00edsto v&nbsp;kategorii Fotografie (pedagogov\u00e9)<\/li>\n<li>World Photographic Cup, Kapit\u00e1n n\u00e1rodn\u00edho t\u00fdmu celosv\u011btov\u00e9 sout\u011b\u017ee profesion\u00e1ln\u00ed fotografie WPC, po\u0159\u00e1dan\u00e9 pod z\u00e1\u0161titou Federace evropsk\u00fdch profesion\u00e1ln\u00edch fotograf\u016f (FEP), Professional Photographers of America (PPA), United Asian Professional Photography (UAPP) a Australian Institute of Professional Photography (AIPP), spoluorganiz\u00e1tor APF, 2021 (M. Bene\u0161)<\/li>\n<li>N\u00e1rodn\u00ed iniciativa Czech Industry Challenge (CICH), Promoliga, odborn\u00fd porotce, Pr\u016fmyslov\u00e1 um\u011bleck\u00e1 fotografie, \u0159\u00edjen 2021 (J. Pohribn\u00fd, M. Bene\u0161)<\/li>\n<li>N\u00e1plavKKa, 1.&nbsp;ro\u010dn\u00edk studentsk\u00e9ho festivalu kreativity, v\u00fdstava prac\u00ed student\u016f V\u0160KK, z\u00e1\u0159\u00ed 2021<\/li>\n<li>Karel Komorous, Skautsk\u00fd institut, v\u00fdstava fotografi\u00ed, Starom\u011bstsk\u00e9 n\u00e1m., Praha, 2021<\/li>\n<li>Projekt 101, Asociace profesion\u00e1ln\u00edch fotograf\u016f \u010cR, \u0159\u00edjen 2021\u2013leden 2022, Muzeum fotografie a obrazov\u00fdch m\u00e9di\u00ed, Jind\u0159ich\u016fv Hradec (\u00fa\u010dast pedagog\u016f a student\u016f V\u0160KK)<\/li>\n<li>Prague Photo, XIII. ro\u010dn\u00edk PRAGUE PHOTO FESTIVAL, \u00fa\u010dast ateli\u00e9ru FA na festivalu, 23.&nbsp;11. \u2013 28.&nbsp;11.&nbsp;2021<\/li>\n<li>Bene\u0161, M. (ed), Vojt\u011bchovsk\u00fd, M. a kol.: Fotografie nov\u00e9ho mil\u00e9nia \u2013 Od technick\u00fdch mutac\u00ed k&nbsp;poetice autorsk\u00e9 tvorby, vydal Marian Bene\u0161 a FUD UJEP, z\u00e1\u0159\u00ed 2021, ISBN: ISBN: 978-80-7561-301-1<\/li>\n<li>Kalend\u00e1\u0159 &#8222;12\u201c, v\u00fdb\u011br prac\u00ed student\u016f, prosinec 2021<\/li>\n<li>Podstata a smysl mezin\u00e1rodn\u00edch profesn\u00edch evropsk\u00fdch certifikac\u00ed, on-line p\u0159edn\u00e1\u0161ka APF, \u0159\u00edjen 2021 (J.\u00a0Pohribn\u00fd, M. Bene\u0161)<\/li>\n<li>Fotografie nov\u00e9ho mil\u00e9nia, p\u0159edstaven\u00ed fotografick\u00e9 publikace, on-line prezentace, FOMEI, listopad 2021 (M.\u00a0Bene\u0161)<\/li>\n<li>Asociace profesion\u00e1ln\u00edch fotograf\u016f \u010cR, Spr\u00e1vn\u00ed rada, veden\u00ed a \u0159\u00edzen\u00ed profesn\u00edho spolku (J. Pohribn\u00fd, M. Bene\u0161)<\/li>\n<li>Federation of European Professional Photographers (FEP), \u010dlen, koordinace mezin\u00e1rodn\u00edch profesn\u00edch aktivit (spolkov\u00e9ho \u017eivota, certifikac\u00ed, profesn\u00edch sout\u011b\u017e\u00ed) (J. Pohribn\u00fd, M. Bene\u0161)<\/li>\n<\/ul>\n<p style=\"font-weight: 400;\"><strong>2019\/2020<\/strong><\/p>\n<ul style=\"font-weight: 400;\">\n<li>\u00da\u010dast na putovn\u00ed spole\u010dn\u00e9 v\u00fdstav\u011b\u00a0<em>89 &#8211; P\u00e1d \u017eelezn\u00e9 opony<\/em>\u00a0po \u010desk\u00fdch velvyslanectv\u00edch<\/li>\n<li>\u00da\u010dast na Festival Prague Photo<\/li>\n<li>V\u00fdstava student\u016f V\u0160KK v&nbsp;galerii Michael<\/li>\n<li>V\u00fdstava T\u011blo APF<\/li>\n<li>Soubor p\u0159edn\u00e1\u0161ek a workshop\u016f pro ve\u0159ejnost jako sou\u010d\u00e1st doprovodn\u00e9ho programu v\u00fdstavy Kuna nese nanuk, Typografie ve ve\u0159ejn\u00e9m prostoru, 8smi\u010dka, 2-5\/2019<\/li>\n<li>Workshop se studenty p\u0159edstavuj\u00edc\u00ed \u00favod do problematiky velk\u00fdch dat, jejich zpracov\u00e1n\u00ed a vyu\u017eit\u00ed v&nbsp;r\u00e1mci designersk\u00e9 pr\u00e1ce. Velk\u00e1 data jako materi\u00e1l, Scholastika, 5\/2019<\/li>\n<li>P\u0159edn\u00e1\u0161ka na t\u00e9ma strojov\u00e9 vid\u011bn\u00ed a klasifikace um\u011bleck\u00fdch d\u011bl v&nbsp;r\u00e1mci s\u00e9rie Design Meetup. Synthetic Vision, Paraleln\u00ed polis, 6\/2019<\/li>\n<li>Vystoupen\u00ed na kolokviu zab\u00fdvaj\u00edc\u00edm se problematikou vizualizace ve v\u011bd\u011b po\u0159\u00e1dan\u00e9m katedrou filosofie a d\u011bjin p\u0159\u00edrodn\u00edch v\u011bd. Vizualita v\u011bda vn\u00edm\u00e1n\u00ed, P\u0159\u00edrodov\u011bdeck\u00e1 fakulta UK, 6\/2019<\/li>\n<li>Organizace autorsk\u00e9ho \u010dten\u00ed student\u016f: 5.&nbsp;6.&nbsp;2019 (Liter\u00e1rn\u00ed kav\u00e1rna T\u00fdnsk\u00e1)<\/li>\n<li>Organizace mezin\u00e1rodn\u00ed liter\u00e1rn\u00ed konference Podoby tv\u016fr\u010d\u00edho psan\u00ed: 9.&nbsp;6.&nbsp;2019 (V\u0160KK)<\/li>\n<li>Organizace klauzur oboru liter\u00e1rn\u00ed tvorba, autorsk\u00e9 \u010dten\u00ed student\u016f: 15.\u201323.&nbsp;6.&nbsp;2019 (V\u0160KK)<\/li>\n<li>\u00da\u010dast a vystoupen\u00ed na letn\u00ed \u0161kole zab\u00fdvaj\u00edc\u00ed se propojov\u00e1n\u00edm d\u011bjin um\u011bn\u00ed se sou\u010dasn\u00fdmi technologiemi (nejen) strojov\u00e9ho u\u010den\u00ed. Digital Art History Summer School, University of Malaga &amp; University of Berkeley, 7-8\/2019<\/li>\n<li>Organizace festivalu autorsk\u00e9ho \u010dten\u00ed \u010cten\u00ed ve vlaku: 16.\u201319.&nbsp;9.&nbsp;2019 (Praha)<\/li>\n<li>P\u0159edn\u00e1\u0161ka na doktorandsk\u00e9 konferenci v\u00fdtvarn\u00fdch \u0161kol. Teritoria um\u011bn\u00ed, AMU, 10\/2019<\/li>\n<li>P\u0159edn\u00e1\u0161ka Jak vid\u00ed stroje um\u011bn\u00ed \u2013 Digit\u00e1ln\u00ed d\u011bjiny um\u011bn\u00ed a syntetick\u00fd zrak. Um\u011bleck\u00e9 sb\u00edrky digit\u00e1ln\u00ed epochy v\u00a0galerii a muzeu, Mezin\u00e1rodn\u00ed kolokvium Va\u0161ulka Kitchen Brno, 10\/2019<\/li>\n<li>Spoluautorstv\u00ed knihy Devades\u00e1tky (FUNDOV\u00c1, J. a kol.\u00a0<em>Devades\u00e1tky<\/em>. Praha: Albatros Media, 2019.) K\u0159est knihy 1.&nbsp;11.&nbsp;2019<\/li>\n<li>Autorsk\u00e1 v\u00fdstava Vladim\u00edr Kozl\u00edk PF 1975\u20132020 v&nbsp;Czech Photo Centre v&nbsp;Praze od 6.&nbsp;12.&nbsp;2019 do 15.\u00a01.&nbsp;2020<\/li>\n<li>Autorsk\u00e1 v\u00fdstava v&nbsp;Art centru Galerie 4 v&nbsp;Chebu \u2013 Vladim\u00edr Kozl\u00edk, Per Universum od 31.&nbsp;1.&nbsp;2020<\/li>\n<li>Organizace mezin\u00e1rodn\u00ed liter\u00e1rn\u00ed konference Kniha jako dobrodru\u017estv\u00ed pozn\u00e1n\u00ed: 19.&nbsp;3.&nbsp;2020 (V\u0160KK)<\/li>\n<li>Organizace klauzur oboru liter\u00e1rn\u00ed tvorba, autorsk\u00e9 \u010dten\u00ed student\u016f: kv\u011bten 2020 (V\u0160KK)<\/li>\n<li>Organizace festivalu autorsk\u00e9ho \u010dten\u00ed \u010cten\u00ed ve vlaku: z\u00e1\u0159\u00ed 2020 (Praha)<\/li>\n<\/ul>\n<h3 style=\"font-weight: 400;\"><strong>Liter\u00e1rn\u00ed tvorba<\/strong><\/h3>\n<ul style=\"font-weight: 400;\">\n<li>M\u011bs\u00ed\u010dn\u00edk POVSTALEC (srpen 2016, 5 \u010d\u00edsel), studentsk\u00fd \u010dasopis.<\/li>\n<li>\u010cten\u00ed ve vlaku: 19.09.\u201322.09.2016 (spolu\u00fa\u010dast student\u016f a vyu\u010duj\u00edc\u00edch LT na organizov\u00e1n\u00ed liter\u00e1rn\u00edho festivalu).<\/li>\n<li>Spolupo\u0159\u00e1d\u00e1n\u00ed konference Co\u017epak to jsem cht\u011bl, aby mne za\u0159adili do literatury? Jakub Deml a liter\u00e1rn\u00ed tradice (Tasov, 15. \u2013 17.09&nbsp;2016) (Studenti a vyu\u010duj\u00edc\u00ed KLT se pod\u00edleli na organizov\u00e1n\u00ed a moderov\u00e1n\u00ed cel\u00e9 konference).<\/li>\n<li>Povst\u00e1n\u00ed na Pankr\u00e1ci: 8.&nbsp;11.&nbsp;2016 (studentsk\u00e1 liter\u00e1rn\u00ed akce, ve\u0159ejn\u00e9 \u010dten\u00ed a burza knih).<\/li>\n<li>\u00da\u010dast na mezin\u00e1rodn\u00ed konferenci J\u00e1chymov ve 20.&nbsp;stolet\u00ed (J\u00e1chymov, 12. \u2013 14.&nbsp;10.&nbsp;2016). Vystoupen\u00ed s&nbsp;v\u011bdeck\u00fdmi p\u0159\u00edsp\u011bvky (Mark\u00e9ta Ko\u0159en\u00e1, Daniel Kubec); Po\u0159\u00e1d\u00e1n\u00ed doprovodn\u00e9ho programu v&nbsp;r\u00e1mci konference (v\u00fdstava Ze \u017eivota Karla Pecky; ve\u0159ejn\u00e9 \u010dten\u00ed text\u016f z&nbsp;d\u00edla tohoto autora).<\/li>\n<li>K\u0159est publikace Moje \u0159e\u010d: 8.&nbsp;12.&nbsp;2016 (Studenti a vyu\u010duj\u00edc\u00ed KLT uspo\u0159\u00e1dali k\u0159est publikace jazykov\u00fdch fejeton\u016f Moje \u0159e\u010d, na kter\u00fdch se autorsky a redak\u010dn\u011b pod\u00edleli).<\/li>\n<li>Setk\u00e1n\u00ed se studenty ve St\u0159\u00edb\u0159e: 19.&nbsp;1.&nbsp;2017 (prezentace \u0161koly a workshop tv\u016fr\u010d\u00edho psan\u00ed).<\/li>\n<li>Knihovna V\u00e1clava Havla: 13.&nbsp;3.&nbsp;2017 (\u010cten\u00ed p\u00e1sma z&nbsp;text\u016f Karla Pecky \u201eJe to p\u0159ijateln\u00e9\u201c, je\u017e realizovali studenti a vyu\u010duj\u00edc\u00ed KLT).<\/li>\n<li>Prezentace v&nbsp;Gymn\u00e1ziu brat\u0159\u00ed \u010capk\u016f: 18.&nbsp;4.&nbsp;2017 (Rektorka \u0161koly a vedouc\u00ed katedry liter\u00e1rn\u00ed tvorby prezentovali v\u00fduku na \u0161kole student\u016fm liter\u00e1rn\u00edho semin\u00e1\u0159e, nast\u00ednili jim problematiku v\u00fduky tv\u016fr\u010d\u00edho psan\u00ed).<\/li>\n<li>\u00da\u010dast na studentsk\u00e9 konferenci: 20. \u2013 21.&nbsp;4.&nbsp;2017 (Studentka V\u0160KK vystoupila na Studentsk\u00e9 liter\u00e1rn\u011bv\u011bdn\u00e9 konferenci, po\u0159\u00e1dan\u00e9 \u00dastavem pro \u010deskou literaturu AV \u010cR).<\/li>\n<li>Nebojte se Polednice \u2013 sout\u011b\u017e pro studenty st\u0159edn\u00edch \u0161kol: 2.&nbsp;3. \u2013 27.&nbsp;4.&nbsp;2017 (studenti a vyu\u010duj\u00edc\u00ed KLT: koncept akce, jej\u00ed organizace, realizace a moderov\u00e1n\u00ed). Liter\u00e1rn\u00ed sout\u011b\u017e, jej\u00edm\u017e c\u00edlem bylo poutavou formou pouk\u00e1zat na knihy ze seznam\u016f povinn\u00e9 \u010detby. Sout\u011b\u017e byla zam\u011b\u0159en\u00e1 na\u00a0 studenty 3.&nbsp;a 4.&nbsp;ro\u010dn\u00edk\u016f st\u0159edn\u00edch \u0161kol, kte\u0159\u00ed na ot\u00e1zky t\u00fdkaj\u00edc\u00ed se znalost\u00ed a interpretac\u00ed liter\u00e1rn\u00edch d\u011bl odpov\u00eddali bu\u010f jednotliv\u011b, nebo ve t\u0159\u00ed\u010dlenn\u00fdch t\u00fdmech. \u010c\u00e1st sout\u011b\u017ee moderoval garant oboru Liter\u00e1rn\u00ed tvorba Arno\u0161t Goldflam. Pro ty, kte\u0159\u00ed nepostoupili, byl p\u0159ipraven\u00fd bohat\u00fd doprovodn\u00fd program (nap\u0159. beseda se spisovatelkou Mari\u00ed Dole\u017ealovou, d\u00edlna tv\u016fr\u010d\u00edho psan\u00ed zam\u011b\u0159en\u00e1 na literaturu reflektuj\u00edc\u00ed zku\u0161enosti z&nbsp;komunistick\u00fdch pracovn\u00edch t\u00e1bor\u016f).<\/li>\n<li>Mot\u00e1ky Karlu Peckovi: cel\u00fd akademick\u00fd rok (2016 \/ 2017)\u00a0 Pod\u00edl student\u016f a vyu\u010duj\u00edc\u00edch V\u0160KK na projektu zam\u011b\u0159en\u00e9ho na sezn\u00e1men\u00ed s&nbsp;d\u00edlem a osobou Karla Pecky, na reflexi literatury vznikaj\u00edc\u00ed v&nbsp;prost\u0159ed\u00ed komunistick\u00fdch pracovn\u00edch t\u00e1bor\u016f a z\u00e1rove\u0148 na tento historick\u00fd jev jako takov\u00fd. Po\u0159\u00e1d\u00e1n\u00ed ve\u0159ejn\u00fdch \u010dten\u00ed a realizace tematick\u00e9 v\u00fdstavy, redakce rozhovor\u016f s\u00a0pam\u011btn\u00edky Karla Pecky. P\u0159\u00edprava odborn\u00e9ho kolokvia za \u00fa\u010dasti liter\u00e1rn\u00edch v\u011bdc\u016f, historik\u016f a pam\u011btn\u00edk\u016f, kter\u00e9 se realizovalo v&nbsp;prosinci 2017.<\/li>\n<li>Klauzury liter\u00e1rn\u00ed tvorby: 18.&nbsp;5.&nbsp;2017 (uspo\u0159\u00e1d\u00e1n\u00ed klauzur 1.&nbsp;ro\u010dn\u00edku formou ve\u0159ejn\u00e9ho \u010dten\u00ed a vz\u00e1jemn\u00e9ho komentov\u00e1n\u00ed text\u016f).<\/li>\n<li>\u010cten\u00ed ve vlaku: 18. \u2013 19.&nbsp;9.&nbsp;2017 (spolu\u00fa\u010dast vyu\u010duj\u00edc\u00edch a student\u016f na organizaci festivalu, \u00fa\u010dast vyu\u010duj\u00edc\u00edch TP v&nbsp;r\u00e1mci programu).<\/li>\n<li>\u00da\u010dast na Kulturn\u00ed noci: 6.&nbsp;10.&nbsp;2017 (sc\u00e9nick\u00e9 \u010dten\u00ed student\u016f v&nbsp;r\u00e1mci akce Gymn\u00e1zia a Hudebn\u00ed \u0161koly hlavn\u00edho m\u011bsta Prahy, uk\u00e1zkov\u00e1 hodina TP konan\u00e1 vyu\u010duj\u00edc\u00edm \u0161koly).<\/li>\n<li>Mu\u017e bez obav: Kolokvium o \u017eivot\u011b a d\u00edle Karla Pecky (Odborn\u00e9 kolokvium po\u0159\u00e1dan\u00e9 \u00dastavem pro \u010deskou literaturu, vyvrcholen\u00ed projektu, na kter\u00e9m spolupracovali vyu\u010duj\u00edc\u00ed a studenti V\u0160KK, v&nbsp;r\u00e1mci doprovodn\u00e9ho programu sc\u00e9nick\u00e9 \u010dten\u00ed student\u016f).<\/li>\n<li>V\u00e1no\u010dn\u00ed \u010dten\u00ed 2017 (Autorsk\u00e9 \u010dten\u00ed z&nbsp;bakal\u00e1\u0159sk\u00fdch a dal\u0161\u00edch prac\u00ed student\u016f LT).<\/li>\n<li>Rom\u00e1n na pokra\u010dov\u00e1n\u00ed na Twitteru: letn\u00ed semestr \u2013 semestr\u00e1ln\u00ed projekt prezentovan\u00fd na Twitteru.<\/li>\n<li>Dny osobnost\u00ed 2017 \u2013 Michal Hor\u00e1\u010dek, Josef Form\u00e1nek, Emil Hakl (besedy s\u00a0v\u00fdznamn\u00fdmi tv\u016frci)<\/li>\n<li>Klauzury 2018: 15. \u2013 24.&nbsp;5.&nbsp;2017 (\u010dten\u00ed semestr\u00e1ln\u00edch prac\u00ed 1.&nbsp;a 2.&nbsp;ro\u010dn\u00edku).<\/li>\n<li>\u010cten\u00ed ve vlaku: 17. \u2013 20.&nbsp;9.&nbsp;2018 (spolu\u00fa\u010dast vyu\u010duj\u00edc\u00edch a student\u016f na organizaci festivalu, \u00fa\u010dast vyu\u010duj\u00edc\u00edch TP v&nbsp;r\u00e1mci programu. V&nbsp;r\u00e1mci doprovodn\u00e9ho programu \u010detli studenti sv\u00e9 texty u pet\u0159\u00ednsk\u00e9 lanovky. Idea Festivalu autorsk\u00e9ho \u010cten\u00ed ve vlaku vznikla z&nbsp;dlouholet\u00e9 spolupr\u00e1ce firmy Railreklam, zaji\u0161\u0165uj\u00edc\u00ed komer\u010dn\u00ed komunikaci ve vlac\u00edch i na n\u00e1dra\u017en\u00edm mobili\u00e1\u0159i. Studenti z\u00edsk\u00e1vaj\u00ed v&nbsp;tomto origin\u00e1ln\u00edm nekomer\u010dn\u00edm projektu zam\u011b\u0159en\u00e9m na rozvoj \u010dten\u00e1\u0159sk\u00e9 gramotnosti jedine\u010dnou mo\u017enost uplatnit sv\u00e9 tv\u016fr\u010d\u00ed schopnosti a participovat na re\u00e1ln\u00e9m produktu).<\/li>\n<li>Dny osobnost\u00ed 2018 \u2013 Pavel Ren\u010d\u00edn, Daniela Drtinov\u00e1 (besedy s\u00a0v\u00fdznamn\u00fdmi osobnostmi).<\/li>\n<li>V\u00e1no\u010dn\u00ed \u010dten\u00ed 2018\u00a0 (Autorsk\u00e9 a sc\u00e9nick\u00e9 \u010dten\u00ed z&nbsp;bakal\u00e1\u0159sk\u00fdch i jin\u00fdch prac\u00ed student\u016f LT).<\/li>\n<li>Cena Alexandry Berkov\u00e9. V\u0160KK vyhl\u00e1sila v\u00a0b\u0159eznu liter\u00e1rn\u00ed sout\u011b\u017e pro studenty 3.&nbsp;a 4.&nbsp;ro\u010dn\u00edk\u016f st\u0159edn\u00edch \u0161kol, gymn\u00e1zi\u00ed a pro studenty 7.&nbsp;a 8.&nbsp;ro\u010dn\u00edk\u016f v\u00edcelet\u00fdch gymn\u00e1zi\u00ed v\u00a0\u017e\u00e1nru pov\u00eddka a poezie.<\/li>\n<li>Dny osobnost\u00ed 2019 &#8211; Halina Pawlowsk\u00e1, Ond\u0159ej Neff, Jan Nov\u00e1k, Ji\u0159\u00ed D\u011bde\u010dek (besedy s\u00a0v\u00fdznamn\u00fdmi osobnostmi).<\/li>\n<li>Konference Podoby tv\u016fr\u010d\u00edho psan\u00ed 9.&nbsp;5.&nbsp;2019<\/li>\n<li>V\u0160KK tak i v&nbsp;t\u00e9to v\u011bci nav\u00e1zala na zaniklou Liter\u00e1rn\u00ed akademii a zah\u00e1jila vlastn\u00ed v\u011bdecko-v\u00fdzkumnou aktivitu v&nbsp;oblasti tv\u016fr\u010d\u00edho psan\u00ed.\u00a0 V&nbsp;\u0159\u00edzen\u00ed konference se st\u0159\u00eddali Arno\u0161t Goldflam, V\u00e1clav Kri\u0161tof, Daniel Kubec a Radek Mal\u00fd. Na konferenci vystoupili s&nbsp;p\u0159\u00edsp\u011bvky\u00a0 V\u00e1clav Kri\u0161tof \u2013 V\u0160KK: INSTITUCION\u00c1LN\u00cd V\u00ddVOJ V\u00ddUKY TV\u016eR\u010c\u00cdHO PSAN\u00cd ANEB DNES U\u017d O EXISTENCI \u0160KOLY, KTER\u00c1 SE V\u011aNUJE TV\u016eR\u010c\u00cdMU PSAN\u00cd, POCHYBUJE M\u00c1LOKDO; Vladim\u00edr Novotn\u00fd: TAK\u00c9 PSAN\u00cd LITER\u00c1RN\u00cdCH KRITIK JE (B\u00ddV\u00c1) TV\u016eR\u010c\u00cd; Arno\u0161t Goldflam \u2013 V\u0160KK: TV\u016eR\u010c\u00cd PSAN\u00cd JAKO N\u00c1STROJ; Daniel Kubec \u2013 V\u0160KK: VYU\u017dIT\u00cd PRINCIP\u016e INTERMEDIALITY P\u0158I V\u00ddUCE TV\u016eR\u010c\u00cdHO PSAN\u00cd; Radek Mal\u00fd: TV\u016eR\u010c\u00cd PSAN\u00cd PRO D\u011aTI A JEHO \u010cESK\u00c9 PODOBY; Mark\u00e9ta Do\u010dekalov\u00e1 \u2013 \u0160kola tv\u016fr\u010d\u00edho psan\u00ed Mark\u00e9ty Do\u010dekalov\u00e9: ZKU\u0160ENOSTI Z&nbsp;V\u00ddUKY TV\u016eR\u010c\u00cdHO PSAN\u00cd 2001\u20132019. V\u00ddUKA TV\u016eR\u010c\u00cdHO PSAN\u00cd DOMA A VE SV\u011aT\u011a; Ren\u00e9 Nekuda \u2013 Kurzy tv\u016fr\u010d\u00edho psan\u00ed: DEFINICE TV\u016eR\u010c\u00cdHO PSAN\u00cd V&nbsp;\u010cESK\u00c9M KONTEXTU A ROLE LEKTORA P\u0158I V\u00ddUCE TV\u016eR\u010c\u00cdHO PSAN\u00cd; M\u00e1ria Stankov\u00e1 \u2013 Katedra \u017eurnalistiky, Filozofick\u00e1 fakulta Univerzity Komensk\u00e9ho v&nbsp;Bratislav\u011b: TVORIV\u00c9 P\u00cdSANIE VO V\u00ddU\u010cBE \u017dURNALISTOV; Leo\u0161 Ky\u0161a, spisovatel: DES\u00c1T\u00c1 L\u00c9TA \u010cESK\u00c9 FANTASTIKY: AKCE, SVOBODA A IMAGINACE BEZ HRANIC; Martina Bla\u017eekov\u00e1 \u2013 V\u0160KK, Praha \u2013 Bratislava: NETV\u016eR\u010c\u00cd PSAN\u00cd KENNETHA GOLDSMITHA. SMYSL A PODOBA TV\u016eR\u010c\u00cdHO PSAN\u00cd V&nbsp;DIGIT\u00c1LN\u00cdM V\u011aKU. JAK COPY\/PASTE, ESENCI\u00c1LN\u00cd AKT DIGIT\u00c1LN\u00cd \u00c9RY, PROM\u011a\u0147UJE A OVLIV\u0147UJE PROCES PSAN\u00cd A MY\u0160LEN\u00cd; Emil Hakl, spisovatel, V\u0160KK: OD P\u00d3LU K&nbsp;P\u00d3LU a Du\u0161an Pavl\u016f, rektor Vysok\u00e9 \u0161koly kreativn\u00ed komunikace, Praha: SPOLE\u010cN\u00c9 A ROZD\u00cdLN\u00c9 V&nbsp;PR\u00c1CI POETY A REKLAMN\u00cdHO TEXTA\u0158E. NA Z\u00c1KLAD\u011a DOBOV\u00c9 REKLAMN\u00cd LITERATURY PRVN\u00cd POLOVINY 20. STOLET\u00cd BUDE P\u0158\u00cdSP\u011aVEK USILOVAT O POSTI\u017dEN\u00cd PR\u016eNIKU OBOU PROFES\u00cd. Konference se tak\u00e9 z\u00fa\u010dastnila odborn\u00e1 ve\u0159ejnost a poslucha\u010di oboru Liter\u00e1rn\u00ed tvorby Vysok\u00e9 \u0161koly kreativn\u00ed komunikace. V\u00a0prosinci 2019 vy\u0161el sborn\u00edk Podoby tv\u016fr\u010d\u00edho psan\u00ed.<\/li>\n<li>Povstalec N\u00b02 \u2013 vy\u0161lo prvn\u00ed \u010d\u00edslo studentsk\u00e9ho \u010dasopisu p\u016fsob\u00edc\u00ed na p\u016fd\u011b Vysok\u00e9 \u0161koly kreativn\u00ed komunikace.<\/li>\n<li>Studentsk\u00e9 \u010dten\u00ed v&nbsp;T\u00fdnsk\u00e9 liter\u00e1rn\u00ed kav\u00e1rn\u011b (5.&nbsp;6.&nbsp;2019) &#8211; studenti autorsky interpretovali sv\u00e9 texty vznikl\u00e9 v&nbsp;d\u00edln\u00e1ch tv\u016fr\u010d\u00edho psan\u00ed. Z\u00e1rove\u0148 spolu s&nbsp;nimi vystoupil i vyu\u010duj\u00edc\u00ed tv\u016fr\u010d\u00edho psan\u00ed, spisovatel a dr\u017eitel dvou ocen\u011bn\u00ed Magnesia Litera Emil Hakl.<\/li>\n<li>V\u00fdstava\u00a0 \u017divot a d\u00edlo Josefa \u0160kvoreck\u00e9ho. 26.&nbsp;9.&nbsp;2019, v&nbsp;p\u0159edve\u010der nedo\u017eit\u00fdch 95.&nbsp;narozenin Josefa \u0160kvoreck\u00e9ho, se uskute\u010dnila vernis\u00e1\u017e v\u00fdstavy, kterou autorsky p\u0159ipravil vedouc\u00ed katedry Liter\u00e1rn\u00ed tvorby V\u00e1clav Kri\u0161tof. V\u00fdstava byla realizov\u00e1na ve spolupr\u00e1ci V\u0160KK a M\u011bstsk\u00e9 \u010d\u00e1sti Praha 4. V\u00fdstava \u017divot a d\u00edlo Josefa \u0160kvoreck\u00e9ho na Nuselsk\u00e9 radnici trvala od 27.&nbsp;9.&nbsp;do 30.&nbsp;10.&nbsp;2019. Dal\u0161\u00ed upraven\u00e9 varianty se realizuj\u00ed na Praze 2 a Praze 6.<\/li>\n<li>XXX let od sametu \u2013 beseda k&nbsp;17.&nbsp;listopadu (12.&nbsp;11.&nbsp;2019) Studenti i ve\u0159ejnost se z\u00e1jmem vyslechli diskutuj\u00edc\u00ed a shl\u00e9dli p\u0159ipraven\u00e9 video uk\u00e1zky a fotografie. Z\u00e1rove\u0148 od 4.&nbsp;do 18.&nbsp;listopadu prob\u00edhala v\u00fdstava ud\u00e1lost\u00ed listopadov\u00fdch dn\u00ed a V\u00e1clava Havla ve fotografi\u00edch Karla Cudl\u00edna, Alana Pajera, v\u010detn\u011b prac\u00ed student\u016f \u0161koly, kte\u0159\u00ed p\u0159edstavili sv\u016fj pohled na 30 let svobody. Besedy se z\u00fa\u010dastnili Marek Benda (poslanec), Michal Hroza (m\u00edstostarosta Prahy 4), Ji\u0159\u00ed D\u011bde\u010dek (p\u0159edseda PEN klubu), Du\u0161an Pavl\u016f (rektor Vysok\u00e9 \u0161koly kreativn\u00ed komunikace) a V\u00e1clav Kri\u0161tof (vedouc\u00ed katedry Liter\u00e1rn\u00ed tvorby).<\/li>\n<li>Kam s\u00a0t\u00edm rukopisem (21.&nbsp;11&nbsp;2019) Panelov\u00e1 diskuse z\u00e1stupc\u016f nakladatelsk\u00fdch dom\u016f \u2013 Lucie H\u00e1\u0161ov\u00e1 Truhelkov\u00e1, redaktorka nakladatelstv\u00ed Albatros specializuj\u00edc\u00ed se na d\u011btskou literaturu, Jakub Sedl\u00e1\u010dek, \u0161\u00e9fredaktor Paseky, Martin \u0160ust, redaktor Arga, Boris Hokr, vedouc\u00ed edice Laser nakladatelstv\u00ed Euromedia, Tom\u00e1\u0161 N\u011bmec, \u0159editel Mystery Press a Jan N\u011bmec, redaktor nakladatelstv\u00ed Host a z\u00e1rove\u0148 spisovatel a lektor d\u00edlny tv\u016fr\u010d\u00edho psan\u00ed V\u0160KK. Moderoval Leo\u0161 Ky\u0161a, vyu\u010duj\u00edc\u00ed liter\u00e1rn\u00ed tvorby, kter\u00fd diskuzi doplnil tak\u00e9 o vlastn\u00ed zku\u0161enosti z&nbsp;nakladatelstv\u00ed Epocha.<\/li>\n<li>Rukopis + (plus) \u2013 \u0161kola vydala 1.&nbsp;\u010d\u00edslo, kter\u00e9 navazuje na Rukopis, kter\u00fd vyd\u00e1vala Liter\u00e1rn\u00ed akademie. \u010casopis o psan\u00ed, s\u00a0rubrikami (Editorial, Writer in Residence \u2013 texty z&nbsp;liter\u00e1rn\u00edch rezidenc\u00ed, stipendi\u00ed, cest; Temn\u00e1 pot\u00fdk\u00e1n\u00ed psan\u00ed o psan\u00ed spisovatel\u00e9 o sv\u00e9 pr\u00e1ci, eseje, archiv, ankety, hovory; Pochopit a um\u011bt psan\u00ed o p\u0159ekl\u00e1d\u00e1n\u00ed dtto o p\u0159ekl\u00e1d\u00e1n\u00ed; A to se d\u00e1 u\u010dit? Psan\u00ed o u\u010den\u00ed psan\u00ed u\u010ditel\u00e9 tv\u016fr\u010d\u00edho psan\u00ed o sv\u00e9 pr\u00e1ci; Rukopisy maj\u00ed u\u0161i o knih\u00e1ch, knihovn\u00e1ch, redakc\u00edch a ve\u0159ejn\u00fdch \u010dten\u00edch kolem psan\u00ed; D\u00edlna na\u0161e \u0161kola, jej\u00ed studenti a pedagogov\u011b; Summary).<\/li>\n<li>\u010cTEN\u00cd PRO JOSEFA \u0160KVORECK\u00c9HO uspo\u0159\u00e1dala 7.&nbsp;ledna 2020 Knihovna V\u00e1clava Havla ve spolupr\u00e1ci s\u00a0V\u0160KK,\u00a0 Spole\u010dnost\u00ed Josefa \u0160kvoreck\u00e9ho a \u010desk\u00fdm centrem Mezin\u00e1rodn\u00edho P.E.N. klubu. \u010cten\u00ed z&nbsp;korespondence man\u017eel\u016f \u0160kvoreck\u00fdch, zakladatel\u016f exilov\u00e9ho nakladatelstv\u00ed Sixty \u2013 Eight Publishers bylo dopln\u011bno dal\u0161\u00edmi texty. V&nbsp;r\u00e1mci ve\u010dera byl vytvo\u0159en prostor i pro hudbu, kter\u00e1 nerozlu\u010dn\u011b k&nbsp;ob\u011bma \u0160kvoreck\u00fdm pat\u0159\u00ed. Sou\u010d\u00e1st\u00ed byla i v\u00fdstava Prima sez\u00f3ny Josefa \u0160kvoreck\u00e9ho, jej\u00edm\u017e autorem je vedouc\u00ed katedry Liter\u00e1rn\u00ed tvorby V\u00e1clav Kri\u0161tof. \u010cten\u00ed zah\u00e1jil J\u00e1chym Topol (programov\u00fd \u0159editel KVH) a V\u00e1clav Kri\u0161tof. Po nich n\u00e1sledovali studenti Gymn\u00e1zia Boti\u010dsk\u00e1 s&nbsp;dramatizac\u00ed Prima sez\u00f3ny, Radana \u0160at\u00e1nkov\u00e1 s&nbsp;Juli\u00ed Gubelovou (kter\u00e1 hr\u00e1la na saxofon), man\u017eel\u00e9 P\u0159ib\u00e1\u0148ovi, Vladim\u00edr Merta, Mark\u00e9ta Mali\u0161ov\u00e1, Vladim\u00edr Just, Tom\u00e1\u0161 C\u00edsa\u0159ovsk\u00fd, Zuzana \u0160p\u016frov\u00e1, Mark\u00e9ta Stiv\u00ednov\u00e1 a Ji\u0159\u00ed D\u011bde\u010dek, kter\u00fd \u010detl ze sv\u00e9 korespondence se \u0160kvoreck\u00fdmi, i zp\u00edval.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Vedouc\u00ed Tereza Stehl\u00edkov\u00e1, Ph.D. stehlikova.tereza@vskk.cz Mezin\u00e1rodn\u00ed projekty\/International projects 7\/2023-9\/2023 Visegrad&hellip;<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":6182,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"episode_type":"","audio_file":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","date_recorded":"","explicit":"","block":"","filesize_raw":"","footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>V\u0160KK - Vysok\u00e1 \u0161kola kreativn\u00ed komunikace<\/title>\n<meta name=\"description\" content=\"V\u0160KK - Vysok\u00e1 \u0161kola kreativn\u00ed komunikace - Jedna \u0161kola, stovky p\u0159\u00edle\u017eitost\u00ed. 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