{"id":14388,"date":"2022-11-21T15:19:31","date_gmt":"2022-11-21T14:19:31","guid":{"rendered":"https:\/\/www.vskk.cz\/cz\/?page_id=14388"},"modified":"2022-11-21T15:20:48","modified_gmt":"2022-11-21T14:20:48","slug":"mezioborove-sympozium-in-habit","status":"publish","type":"page","link":"https:\/\/www.vskk.cz\/cz\/aktuality\/mezioborove-sympozium-in-habit\/","title":{"rendered":"Mezioborov\u00e9 sympozium In-habit"},"content":{"rendered":"

Hope Recycling Station a Tangible Territory srde\u010dn\u011b zvou na mezioborov\u00e9 sympozium\u00a0<\/strong>In-habit<\/em><\/h2>\n

1. a 2. 12. 2022<\/strong>
\nVysok\u00e1 \u0161kola um\u011bleckopr\u016fmyslov\u00e1 v Praze<\/strong>
\nTechnologick\u00e9 centrum Mikulandsk\u00e1<\/strong>
\nMikulandsk\u00e1 134\/5 – III. patro, kinos\u00e1l<\/strong>\u2028<\/strong>
\n110 00 Praha 1<\/strong><\/p>\n

\"\"<\/p>\n

Po\u010det m\u00edst je omezen, doporu\u010dujeme si m\u00edsto zarezervovat.<\/p>\n

Registraci je mo\u017en\u00e9 ud\u011blat zde: www.eventbrite.co.uk\/e\/in-habit-tickets-457059125147<\/a>
\nPodrobn\u00e9 informace o sympoziu na\u00a0www.h-r-s.cz<\/a><\/p>\n

Jsme dostate\u010dn\u011b aktivn\u00ed tv\u00e1\u0159\u00ed v tv\u00e1\u0159 rozsahu sou\u010dasn\u00fdch planet\u00e1rn\u00edch a environment\u00e1ln\u00edch probl\u00e9m\u016f? Kam sm\u011b\u0159ujeme ve sv\u00fdch my\u0161lenk\u00e1ch a \u010dinech? Jak m\u016f\u017eeme zm\u011bnit sv\u00e9 n\u00e1vyky, abychom chr\u00e1nili na\u0161e (\u017eivotn\u00ed) prost\u0159ed\u00ed? M\u00edsto a prost\u0159ed\u00ed n\u00e1s utv\u00e1\u0159\u00ed stejn\u011b jako my utv\u00e1\u0159\u00edme jeho, na Zemi existuje dlouho opom\u00edjen\u00e9 hlubok\u00e9 propojen\u00ed. Mezioborov\u00e9 sympozium se zrodilo z nal\u00e9hav\u00e9 pot\u0159eby reformulovat n\u00e1\u0161 vztah k fyzick\u00e9mu i ment\u00e1ln\u00edmu prost\u0159ed\u00ed, bl\u00edzk\u00e9mu i vzd\u00e1len\u00e9mu, lidsk\u00e9mu i ne-lidsk\u00e9mu. Sympozia In-habit se z\u00fa\u010dastn\u00ed v\u011bdci, um\u011blci a kulturn\u00ed pracovn\u00edci z \u010cR, USA, N\u011bmecka a Velk\u00e9 Brit\u00e1nie, instituc\u00ed MIT, Minnesotsk\u00e1 univerzita, TBA21-Academy, Univerzita Karlova, aj. Jak\u00e1 je spr\u00e1vn\u00e1 rovnov\u00e1ha a role empatie v na\u0161em vztahu k lidsk\u00fdm i nelidsk\u00fdm \u010dinitel\u016fm? Jak se m\u016f\u017ee sou\u010dasn\u00e9 um\u011bn\u00ed, v\u011bda a dal\u0161\u00ed obory spojit, abychom p\u0159ehodnotili a posunuli n\u00e1\u0161 \u00fahel pohledu, abychom z\u00edskali p\u0159\u00edstup k ne-lidsk\u00fdm perspektiv\u00e1m, ne-lidsk\u00fdm motivac\u00edm? Jakou roli hraje zt\u011blesn\u011bn\u00ed\/smysly v na\u0161\u00ed vn\u00edmavosti?<\/p>\n

Organiz\u00e1to\u0159i sympozia<\/strong><\/p>\n

Hope Recycle Station je nez\u00e1visl\u00e1 platforma, jej\u00ed\u017e posl\u00e1n\u00edm je shroma\u017e\u010fovat v\u011bd\u011bn\u00ed a zprost\u0159edkov\u00e1vat dialog mezi vizu\u00e1ln\u00edmi um\u011blci, historiky um\u011bn\u00ed, filozofy, v\u011bdci kur\u00e1tory, sb\u011brateli a spisovateli. HRS tvo\u0159\u00ed nez\u00e1visl\u00fd program p\u0159edn\u00e1\u0161ek a publikac\u00ed od roku 2016. Zakladateli jsou Noemi Smol\u00edk, kriti\u010dka um\u011bn\u00ed a Adam Va\u010dk\u00e1\u0159, vizu\u00e1ln\u00ed um\u011blec.\u00a0www.h-r-s.cz<\/a><\/p>\n

Tangible Territory je voln\u011b p\u0159\u00edstupn\u00fd \u010dasopis o um\u011bn\u00ed, v\u011bd\u011b a filozofii, kter\u00fd se zam\u011b\u0159uje na to, jak vn\u00edm\u00e1me sv\u011bt v\u0161emi smysly, a na v\u00fdznam m\u00edsta a vt\u011blen\u00fdch zku\u0161enost\u00ed, kter\u00e9 d\u00e1vaj\u00ed smysl na\u0161\u00ed ka\u017edodenn\u00ed \u017eivotn\u00ed a um\u011bleck\u00e9 zku\u0161enosti. Zakladatelkou a editorkou je \u010desk\u00e1 a britsk\u00e1 um\u011blkyn\u011b a v\u00fdzkumnice Tereza Stehl\u00edkov\u00e1.\u00a0www.tangibleterritory.art<\/a><\/p>\n

Seznam p\u0159edn\u00e1\u0161ej\u00edc\u00edch<\/strong><\/p>\n

V\u00e1clav C\u00edlek<\/strong>
\nV\u00e1clav C\u00edlek je \u010desk\u00fd geolog, klimatolog, spisovatel, filozof a populariz\u00e1tor v\u011bdy. Vystudoval Vysokou \u0161kolu b\u00e1\u0148skou a P\u0159\u00edrodov\u011bdeckou fakultu Univerzity Karlovy a za\u010dal se zab\u00fdvat studiem hydroterm\u00e1ln\u00edch lo\u017eisek. Pozd\u011bji studoval vzorky p\u0159ivezen\u00e9 z M\u011bs\u00edce rusk\u00fdmi dru\u017eicemi. P\u0159ed t\u0159iceti lety se za\u010dal v\u011bnovat klimatick\u00fdm zm\u011bn\u00e1m a ot\u00e1zk\u00e1m \u017eivotn\u00edho prost\u0159ed\u00ed. Kombinuje znalosti humanitn\u00edch a p\u0159\u00edrodn\u00edch v\u011bd. Je autorem p\u0159ibli\u017en\u011b 400 v\u011bdeck\u00fdch \u010dl\u00e1nk\u016f a n\u011bkolika knih, v\u010detn\u011b oce\u0148ovan\u00fdch knih Inscapes and Landscapes a Makom Book of Places. Za svou esejistickou tvorbu z\u00edskal Cenu Toma Stopparda (2004) a v roce 2009 Cenu Nadace V\u00e1clava Havla Vize 97.<\/p>\n

Mareike Dittmer<\/strong>
\nMareike Dittmer vede odd\u011blen\u00ed vztahu s ve\u0159ejnost\u00ed v\u00a0TBA21-Academy<\/a>, nadaci sou\u010dasn\u00e9ho um\u011bn\u00ed podporuj\u00edc\u00ed hlub\u0161\u00ed vztah k oce\u00e1nu a inkub\u00e1tor pro spole\u010dn\u00fd v\u00fdzkum, um\u011bleckou tvorbu a nov\u00e9 formy transdisciplin\u00e1rn\u00ed produkce znalost\u00ed, jejich\u017e v\u00fdsledkem jsou v\u00fdstavy, v\u00fdzkum a politick\u00e9 intervence. Nadace podporuje hlub\u0161\u00ed porozum\u011bn\u00ed oce\u00e1nu a vztah k n\u011bmu prost\u0159ednictv\u00edm um\u011bn\u00ed s c\u00edlem inspirovat k p\u00e9\u010di a \u010dinnosti. Pracuje na tom, jak spojit empirick\u00fd p\u0159\u00edstup v\u011bdy s vypr\u00e1v\u011bc\u00ed schopnost\u00ed um\u011bn\u00ed pro podporu nov\u00fdch a mnohostrann\u00fdch forem vytv\u00e1\u0159en\u00ed sv\u011bta, vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f a hled\u00e1n\u00ed cesty a p\u0159edstavit si jinou budoucnost. Mareike Dittmer d\u0159\u00edve p\u016fsobila jako \u0159editelka nadace Art Stations CH a od roku 2019 p\u0159edn\u00e1\u0161\u00ed na cury\u0161sk\u00e9 akademii um\u011bn\u00ed ZHdK. Do roku 2018 byla spoluvydavatelkou \u010dasopisu Frieze.<\/p>\n

Habima Fuchs\u00a0<\/strong>
\nHabima Fuchs\u00a0je \u010desk\u00e1 vizu\u00e1ln\u00ed um\u011blkyn\u011b, kter\u00e1 ve sv\u00e9 tvorb\u011b dlouhodob\u011b reviduje za\u017eit\u00e9 mechanismy a tradi\u010dn\u00ed existenci\u00e1ln\u00ed, filozofick\u00e9 \u010di metafyzick\u00e9 obraty, o n\u011b\u017e se p\u0159i porozum\u011bn\u00ed sv\u011btu, ve kter\u00e9m \u017eijeme, op\u00edr\u00e1me. Skrze keramiku, kresby a performance reflektuje a materializuje symboly a motivy poch\u00e1zej\u00edc\u00ed z r\u016fzn\u00fdch kultur i dob, z r\u00e1mce k\u0159es\u0165ansk\u00e9 ikonografie i orient\u00e1ln\u00edch n\u00e1bo\u017eensk\u00fdch kontext\u016f. V\u00fdsledkem je v\u00fdjime\u010dn\u011b p\u016fsobiv\u00e1 obraznost, sv\u00e1div\u00e1 a podvratn\u00e1, tak\u00e9 ale hluboce sebekritick\u00e1. V jej\u00edch projektech se objevuj\u00ed symbolick\u00e1 t\u00e9mata rovnodennosti, hled\u00e1n\u00ed p\u0159irozen\u00e9ho \u0159\u00e1du sv\u011bta vych\u00e1zej\u00edc\u00edho z vyrovnan\u00e9ho ment\u00e1ln\u00edho i fyzick\u00e9ho sou\u017eit\u00ed s p\u0159\u00edrodou.<\/p>\n

Johanna Gibbons RDI\u00a0<\/strong>
\nJohanna Gibbons RDI Johanna Gibbons je krajin\u00e1\u0159sk\u00e1 architektka a \u010dlenka Landscape Institute. Byla jmenov\u00e1na Kr\u00e1lovskou design\u00e9rkou pro pr\u016fmysl za svou „pr\u016fkopnickou a vlivnou pr\u00e1ci spojuj\u00edc\u00ed design s aktivismem, vzd\u011bl\u00e1v\u00e1n\u00edm a profesion\u00e1ln\u00ed prax\u00ed“. Je zakl\u00e1daj\u00edc\u00ed partnerkou spole\u010dnosti J & L Gibbons a zakl\u00e1daj\u00edc\u00ed \u0159editelkou soci\u00e1ln\u00edho podniku Landscape Learn. Jo je \u010dlenkou komise Jersey Architectural Commission, v\u00fdzkumn\u00fdm partnerem Urban Mind, poradkyn\u00ed Historic England a Forestry Commission a \u010dlenkou mezin\u00e1rodn\u00edho v\u011bdeck\u00e9ho v\u00fdboru Sv\u011btov\u00e9ho f\u00f3ra o m\u011bstsk\u00fdch les\u00edch. Hojn\u011b publikuje a p\u0159edn\u00e1\u0161\u00ed.\u00a0www.jlg-london.com<\/a>,\u00a0www.landscapelearn.com<\/a><\/p>\n

Paloma Gonzalez-Bellido<\/strong>
\nPaloma Gonzalez-Bellido je biolo\u017eka. Je docentkou ekologie, evoluce a chov\u00e1n\u00ed na Minnesotsk\u00e9 univerzit\u011b v USA. Zab\u00fdv\u00e1 se neuroetologi\u00ed, vid\u011bn\u00edm a predac\u00ed, konkr\u00e9tn\u011b studiem v\u00fdkonnosti nervov\u00fdch syst\u00e9m\u016f. Jej\u00edm c\u00edlem je pochopit, jak lze dos\u00e1hnout rychl\u00fdch a p\u0159esn\u00fdch reakc\u00ed s omezen\u00fdm po\u010dtem neuron\u016f. Pred\u00e1torsk\u00fd zp\u016fsob \u017eivota klade vysok\u00e9 n\u00e1roky na v\u00fdkonnost neuron\u016f, proto\u017ee pohyby mus\u00ed b\u00fdt prov\u00e1d\u011bny p\u0159esn\u011b a v\u010das. Nav\u00edc, proto\u017ee dravost je vrozen\u00e9 chov\u00e1n\u00ed, jsou poznatky z\u00edskan\u00e9 b\u011bhem jej\u00edho v\u00fdzkumu skute\u010dn\u00fdm odrazem schopnost\u00ed zpracov\u00e1n\u00ed informac\u00ed zkouman\u00e9ho neuron\u00e1ln\u00edho syst\u00e9mu. Vizu\u00e1ln\u00ed podn\u011bty jsou tak\u00e9 relativn\u011b snadno prezentovateln\u00e9. Sv\u016fj v\u00fdzkum realizuje na skupin\u00e1ch bezobratl\u00fdch – mouch\u00e1ch, to j\u00ed poskytuje prost\u0159edky pro srovn\u00e1vac\u00ed studie.<\/p>\n

Stefan Helmreich<\/strong>
\nStefan Helmreich je profesorem antropologie na\u00a0Massachusettsk\u00e9m technologick\u00e9m institutu<\/a>. Ve sv\u00e9m v\u00fdzkumu zkoum\u00e1, jak biologov\u00e9 uva\u017euj\u00ed o hranic\u00edch „\u017eivota“ jako kategorie anal\u00fdzy. Alien Ocean: Anthropological Voyages in Microbial Seas (University of California Press, 2009) je studi\u00ed mo\u0159sk\u00fdch biolog\u016f pracuj\u00edc\u00edch v oblastech, kter\u00e9 jsou obvykle mimo dohled a dosah: mikroskopick\u00fd sv\u011bt, hlubok\u00e9 mo\u0159e a oce\u00e1ny mimo n\u00e1rodn\u00ed suverenitu. Tato kniha, kter\u00e1 z\u00edskala \u0159adu ocen\u011bn\u00ed, mapuje, jak jsou mo\u0159\u0161t\u00ed mikrobi zapleteni do debat o vzniku \u017eivota, klimatick\u00fdch zm\u011bn\u00e1ch, vlastnictv\u00ed spole\u010dn\u00e9ho oce\u00e1nu a mo\u017enosti \u017eivota na jin\u00fdch sv\u011btech. Helmreichova nejnov\u011bj\u0161\u00ed kniha Sounding the Limits of Life: Essays in the Anthropology of Biology and Beyond (Princeton University Press, 2016) se pt\u00e1 po m\u011bn\u00edc\u00edch se definic\u00edch \u017eivota, vody a zvuku (obsahuje zvukov\u00e9 nahr\u00e1vky). Pracuje na nov\u00e9 knize na t\u00e9ma v\u011bdy o vln\u00e1ch, popisuj\u00edc\u00ed oblasti od oce\u00e1nografie p\u0159es kosmologii a medic\u00ednu a\u017e po akustiku a soci\u00e1ln\u00ed teorii.<\/p>\n

Tereza Stehl\u00edkov\u00e1\u00a0<\/strong>
\nTereza Stehl\u00edkov\u00e1 je \u010desko-britsk\u00e1 um\u011blkyn\u011b pracuj\u00edc\u00ed nap\u0159\u00ed\u010d m\u00e9dii, prim\u00e1rn\u011b s\u00a0videem a performance. Stehl\u00edkov\u00e1 je dr\u017eitelkou doktor\u00e1tu z\u00a0lond\u00fdnsk\u00e9 Royal College of Art, kde zkoumala taktiln\u00ed jazyk kinematografie a moment\u00e1ln\u011b je zapojena do interdisciplin\u00e1rn\u00edho v\u00fdzkumu, kde zkoum\u00e1 jak m\u016f\u017ee b\u00fdt pohybliv\u00fd obraz pou\u017eit pro komunikaci zosobn\u011bn\u00e9 zku\u0161enosti a \u00falohu smysl\u016f v\u00a0estetick\u00e9m pro\u017eitku. Je zakladatelkou Sensory Sites, mezin\u00e1rodn\u00edho kolektivu se s\u00eddlem v\u00a0Lond\u00fdn\u011b, kter\u00fd po\u0159\u00e1d\u00e1 v\u00fdstavy, instalace a v\u00fdzkumn\u00e9\u2028projekty, kter\u00e9 zkoumaj\u00ed mnohosmyslov\u00e9 vn\u00edm\u00e1n\u00ed a t\u011blesnou zku\u0161enost. Pr\u00e1ce Terezy Stehl\u00edkov\u00e9 byla vystavena na r\u016fzn\u00fdch filmov\u00fdch a um\u011bleck\u00fdch festivalech po cel\u00e9m sv\u011bt\u011b. Je zakladatelkou mezioborov\u00e9ho online \u010dasopisu se zam\u011b\u0159en\u00edm na smysly nazvan\u00fd TT journal:\u00a0www.tangibleterritory.art<\/a><\/p>\n

Sissel Tolaas\u00a0<\/strong>
\nSissel Tolaas\u00a0se od roku 1990 intenzivn\u011b zab\u00fdv\u00e1 t\u00e9matem v\u016fn\u00ed, zkoum\u00e1 je a experimentuje s nimi. Ve sv\u00e9m p\u0159\u00edstupu k v\u016fn\u00edm je pr\u016fkopnic\u00ed a jedine\u010dnou osobnost\u00ed. Na z\u00e1klad\u011b sv\u00fdch znalost\u00ed organick\u00e9 chemie, lingvistiky a v\u00fdtvarn\u00e9ho um\u011bn\u00ed vytvo\u0159ila celou \u0159adu revolu\u010dn\u00edch projekt\u016f s v\u016fn\u011bmi po cel\u00e9m sv\u011bt\u011b. V lednu 2004 Tolaas zalo\u017eila berl\u00ednskou laborato\u0159 SMELL RE_searchLab. Tolaas vystavovala sv\u00e9 projekty v MOMA, NGV, DIA, CCA a TATE Modern atd. a spolupracovala s univerzitami, jako jsou MIT, Nanyang Technical, Harvard a Oxford. Vybudovala n\u011bkolik typ\u016f pachov\u00fdch archiv\u016f, jako jsou Smell & Language; Smell & Coding, Functiona Smell, a v sou\u010dasn\u00e9 dob\u011b pracuje na archivech pro uchov\u00e1n\u00ed\/konzervaci pachov\u00fdch molekul sv\u011btov\u00fdch oce\u00e1n\u016f, pachov\u00fdch artefakt\u016f (na d\u011bdictv\u00ed) v Detroitu a minulosti p\u016fvodn\u00edch obyvatel Austr\u00e1lie. Jej\u00ed sb\u00edrky pachov\u00fdch molekul a pachov\u00fdch struktur z let 1990 a\u017e 2018 zahrnuj\u00ed 10 000 vzork\u016f. Od roku 2014 se Tolaas pod\u00edl\u00ed na r\u016fzn\u00fdch start-upech, tj. v oblasti smysl\u016f a vzd\u011bl\u00e1v\u00e1n\u00ed; smysl\u016f a technologi\u00ed.<\/p>\n

Adam Va\u010dk\u00e1\u0159<\/strong>
\nAdam Va\u010dk\u00e1\u0159 p\u0159edstavil svou tvorbu na mezin\u00e1rodn\u00edch skupinov\u00fdch a samostatn\u00fdch v\u00fdstav\u00e1ch v Centre Pompidou, Palais de Tokyo, Art Basel, SMAK, K\u00f6lnischer Kunstverein, N\u00e1rodn\u00ed galerii v Praze, Galerii hlavn\u00edho m\u011bsta Prahy a dal\u0161\u00edch m\u00edstech. Ve sv\u00fdch projektech ve form\u011b instalac\u00ed a videj\u00ed se zab\u00fdv\u00e1 t\u00e9maty ekologick\u00e9 krize, vlivu p\u0159\u00edrody na duchovn\u00ed \u017eivot \u010dlov\u011bka a v\u00fdznamu p\u0159\u00edrody pro du\u0161evn\u00ed stabilitu a rozvoj. Materi\u00e1ly pro sv\u00e9 instalace nach\u00e1z\u00ed na duchovn\u00edch pout\u00edch v les\u00edch v bl\u00edzk\u00fdch i vzd\u00e1len\u00fdch zem\u00edch. Va\u010dk\u00e1\u0159 se soust\u0159ed\u00ed na slo\u017eitost vztahu \u010dlov\u011bka a rostlin. Jeho c\u00edlem je pod\u00edlet se na dekolonizaci p\u0159\u00edrody a zpochybnit historii a pouze lidsk\u00fd pohled na tzv. invazn\u00ed rostliny. Je spoluzakladatelem platformy Hope Recycling Station, kter\u00fd po\u0159\u00e1d\u00e1 p\u0159edn\u00e1\u0161ky a projekty mezin\u00e1rodn\u00edch um\u011blc\u016f, v\u011bdc\u016f, spisovatel\u016f, kur\u00e1tor\u016f a filozof\u016f.\u00a0www.adamvackar.com<\/a><\/p>\n

Neal White\u00a0<\/strong>
\nNeal White je um\u011blec a vedouc\u00ed v\u011bdeck\u00fd pracovn\u00edk. Je spolu\u0159editelem v\u00fdzkumn\u00e9ho centra CREAM na Westminstersk\u00e9 univerzit\u011b v Lond\u00fdn\u011b. White tak\u00e9 vede The Deep Field Project, v\u00fdzkumn\u00e9 studio podporuj\u00edc\u00ed v\u00fdzkum veden\u00fd prax\u00ed na postgradu\u00e1ln\u00ed a postdoktorsk\u00e9 \u00farovni prost\u0159ednictv\u00edm sou\u010dasn\u00e9 um\u011bleck\u00e9 praxe v souladu s experiment\u00e1ln\u00edmi v\u011bdami a kritick\u00fdmi a environment\u00e1ln\u00edmi humanitn\u00edmi v\u011bdami. Stejn\u011b tak je koordin\u00e1torem kolektivu, kter\u00fd vede tematick\u00fd projekt „Ekologick\u00fd futurismus“. Ned\u00e1vno spolupracoval s Monsoon Assemblages na projektu pro Ben\u00e1tsk\u00e9 bien\u00e1le 2020\/21 (monass.org<\/a>), v\u00fdstav\u011b s The Deep Field Project v roce 2020 se Stefani\u00ed Hessler. V sou\u010dasn\u00e9 dob\u011b rozv\u00edj\u00ed p\u0159\u00edstupy a projekty, jejich\u017e t\u011b\u017ei\u0161t\u011bm je jak propozi\u010dn\u00ed, tak ak\u010dn\u00ed environment\u00e1ln\u00ed politika, p\u0159i\u010dem\u017e se op\u00edr\u00e1 o v\u011bdu vizu\u00e1ln\u00ed ekologie, v\u011bdeck\u00e9 fikce a techniky kontramapov\u00e1n\u00ed s c\u00edlem \u0159e\u0161it ot\u00e1zky v\u00edcedruhov\u00e9 spravedlnosti.\u00a0www.nealwhite.org<\/a><\/p>\n

\u0160\u00e1rka Zah\u00e1lkov\u00e1<\/strong>
\n\u0160\u00e1rka Zah\u00e1lkov\u00e1 je vizu\u00e1ln\u00ed um\u011blkyn\u011b, um\u011bleck\u00e1 producentka, kur\u00e1torka a kulturn\u00ed aktivistka. Ve sv\u00e9 tvorb\u011b zapojuje r\u016fzn\u00e9 re\u00e1ln\u00e9 komunity, sv\u00e9 okoln\u00ed m\u011bsto a m\u00edstn\u00ed prost\u0159ed\u00ed. Zsazuje se o to, aby um\u011bn\u00ed a kultura byly ned\u00edlnou sou\u010d\u00e1st\u00ed na\u0161eho p\u0159\u00edrodn\u00edho a spole\u010densk\u00e9ho prost\u0159ed\u00ed. Sou\u010dasn\u011b vede n\u011bkolik projekt\u016f, jako je Offcity Collective, nez\u00e1visl\u00e1 platforma p\u016fsob\u00edc\u00ed v oblasti um\u011bn\u00ed, architektury, komunitn\u00ed pr\u00e1ce a um\u011bleck\u00e9 produkce, CENSE, St\u0159edoevropsk\u00e1 s\u00ed\u0165 pro zvukovou ekologii – neform\u00e1ln\u00ed s\u00ed\u0165 individu\u00e1ln\u00edch hlas\u016f poch\u00e1zej\u00edc\u00edch z r\u016fzn\u00fdch prost\u0159ed\u00ed. D\u00e1le The Blavatsky Society, projekt sdru\u017euj\u00edc\u00ed mezin\u00e1rodn\u00ed um\u011blce z r\u016fzn\u00fdch prost\u0159ed\u00ed a s r\u016fzn\u00fdmi zku\u0161enostmi, kter\u00fd v sou\u010dasn\u00e9 dob\u011b s\u00eddl\u00ed v \u010cesk\u00e9 republice. Jej\u00ed um\u011bleck\u00fd p\u0159\u00edstup kombinuje performance, video, zvuk a sv\u011btlo s archivn\u00edmi materi\u00e1ly. Je programovou \u0159editelkou GAMPA,\u00a0Galerie m\u011bsta Pardubic<\/a>.<\/p>\n

Ji\u0159\u00ed Zem\u00e1nek\u00a0<\/strong>
\nJi\u0159\u00ed Zem\u00e1nek je historik um\u011bn\u00ed, etnograf, kur\u00e1tor a novin\u00e1\u0159. Mezi jeho z\u00e1jmy pat\u0159\u00ed p\u0159esahy um\u011bleck\u00e9 tvorby, ekologie a spirituality, ot\u00e1zky zm\u011bny paradigmatu a vzniku nov\u00e9 integr\u00e1ln\u00ed kultury. Je p\u0159ekladatelem a editorem v oblasti hlubinn\u00e9 ekologie, geomantie, integr\u00e1ln\u00ed kultury a neokosmologie. Je spolupracovn\u00edkem um\u011bleck\u00e9 revue Prostor a inici\u00e1torem sdru\u017een\u00ed Poutn\u00edk.<\/p>\n

\"\"<\/p>\n

Source:\u00a0The Ocean Exploration Trust, E\/V Nautilus<\/p>\n","protected":false},"excerpt":{"rendered":"

Hope Recycling Station a Tangible Territory srde\u010dn\u011b zvou na mezioborov\u00e9…<\/p>\n","protected":false},"author":9,"featured_media":14389,"parent":53,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"news.php","meta":{"episode_type":"","audio_file":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","date_recorded":"","explicit":"","block":"","filesize_raw":"","footnotes":""},"yoast_head":"\nV\u0160KK - Vysok\u00e1 \u0161kola kreativn\u00ed komunikace<\/title>\n<meta name=\"description\" content=\"V\u0160KK - Vysok\u00e1 \u0161kola kreativn\u00ed komunikace - Jedna \u0161kola, stovky p\u0159\u00edle\u017eitost\u00ed. 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